![]() The gritty 12-bit digital sampling engine is responsible for the characteristically industrial sound of the early Prodigy releases. As he was looking for a sequencer, Liam got hold of one right away and it soon became his primary songwriting tool. When it was launched in 1989, the Roland W-30 was a groundbreaking workstation that combined sampling, sequencing, and synthesis into a single keyboard. Let’s take a look at some of the key gear choices that became the method in the madness: Roland W-30 The use of digital sampling didn’t stop there either, because often individual drum hits and even synths were resequenced with old-school samplers simply to attain the character of the sound they produce. The anthemic synth hooks are certainly a feature, but classics like Voodoo People, Breathe, and Mindfields are all built around the innovative reconstitution of existing drum breaks and melodic elements from other records. In actual fact, the true genius of the music comes from Liam’s record collection and his appreciation for Hip-Hop sampling. Creating the sound of The Prodigyįor a band named after a synth, it’s easy to get fooled into thinking synthesizers were the focal point of The Prodigy’s sound. Not only was this due to Liam Howlett’s unique approach to music production, but the hard-hitting nature of the records and live shows meant they could play festivals such as Rock Am Ring and Wacken Open Air, which weren’t ever geared toward electronic music.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |